Winkleman Gallery is very pleased to present Loughelton Revisited, a group exhibition curated by artist Barbara Broughel, featuring work by Polly Apfelbaum, Richard Artschwager, Gary Bachman, John Baldessari, Paul Bloodgood, Barbara Bloom, Leonard Bullock, Chris Burden, Mel Chin, John Dogg, Kate Ericson and Mel Ziegler, Stephen Frailey, John Franklin, Jack Goldstein, Lisa Hoke, Win Knowlton, Annette Lemieux, Amy Lipton, Suzanne McClelland, Peter Nagy, Marianne Nowottny, Tom Radloff, Josef Ramaseder, Richard Rezac, Walter Robinson, Barry Schwabsky, Kunie Sugiura, Carol Szymanski, James Welling, Sue Williams, and Thomas Zummer.

In 1986, with her gallery partner Amy Lipton, Broughel founded the Loughelton Gallery in New York’s East Village, curating works by dozens of artists into group shows with topics ranging from schizophrenia to the formation of the universe. Whether targeting the inarticulate meanderings of “post-modernist” discourse, the pseudo-sacred status assigned to high-brow painting, or the aloof impenetrability that sometimes passed for conceptual rigor, Loughelton’s shows were often conceived with a healthy irreverence, to counter or challenge the blind assumptions of the moment. The gallery’s pokes were not just gratuitous but also serious and pointed, and often delivered with humor, pathos, or even political urgency.

Nothing was too banal or too sacred to be part of the dialogue. Clement Greenberg visited the gallery in 1986 to “see for himself what his dilemma was,” when Loughelton opened Greenberg’s Dilemma, an exhibition of works by artists combining formalism with Pop Art. With tastes leaning toward work that was witty, formally elegant, conceptual but accessible, the gallery’s program engaged with the surrounding art world, contemporary discourses in the philosophy of language, avant garde film, and underground music.

This exhibition includes many of the original works which were exhibited at Loughelton Gallery, as well as artworks by other artist/curators whose orbits intersected with the gallery’s, including Peter Nagy who co-owned and curated Gallery Nature Morte, Colin deLand, the proprietor of American Fine Arts, and John Baldessari, who curated a show for Loughelton in 1987.

Barbara Broughel is an artist based in New York and Connecticut, with an extensive history of exhibitions. Over the years, Broughel’s work has taken a variety of forms, often presented as installations and investigative projects, including games, films, video-works, sculptures, photographs, paintings and drawings. Her work has been shown at various museums internationally and in the United States, including the Queens Museum of Art, Aldrich Museum, CT, Katonah Museum, NY, San Jose Museum, CA, the Hermit Foundation, Czech Republic, Kilkenny Castle, Ireland, Kunstmuseum des Kantons Thurgau, Switzerland, Irish Museum of Modern Art, Ireland, and many others. She has had commissions in Europe, the United States and the Far East, including installation works at the Sanskriti Institute in New Delhi and at Arti et Amicitiae in Amsterdam, Holland.

Press

Blake Gopnik, "Eighties Art Still Lives," The Daily Beast, May 22, 2012

"The ARTINFO Agenda: 9 Weekly NYC Art Picks, From Maira Kalman’s Nostalgic Illustrations to the Zola Jesus at the Guggenheim," Blouin Artinfo, May 10, 2012

Carolina A. Miranda, "This Week: Must-See Arts in the City," WNYC, April 25, 2012

Loughelton Revisited

Curated by Barbara Broughel
April 27 - May 26, 2012
Opens April 27, 6:00 PM - 8:00 PM

Installation Views

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

"Loughelton Revisited," installation view. Photography by Etienne Frossard.

Installation view of "The Double Bind," an exhibition at Loughelton Gallery, New York, in 1987.

Installation view of "The Double Bind," an exhibition at Loughelton Gallery, New York, in 1987.


Works

Studio

John Baldessari, Studio, 1988

Platforms

Annette Lemieux, Platforms, 2004

Fake Travel Posters

Barbara Bloom, Fake Travel Posters, 1981

Untited (Tire)

John Dogg, Untited (Tire), 1987

Entertainment Erases History

Peter Nagy, Entertainment Erases History, 1983

Variable

Carol Szymanski, Variable, 1996

Plexus

Lisa Hoke, Plexus, 1988

If You Fly/If You Drive

Chris Burden, If You Fly/If You Drive, 1973

Eggcelent 91

Kunié Sugiura, Eggcelent 91, 1991

Untitled

Richard Rezac, Untitled, 1990

The  Color of My Fate

Polly Apfelbaum, The Color of My Fate, 1990/2003

Untitled

Paul Bloodgood, Untitled, 1988

Untitled

Stephen Frailey, Untitled, 1884

Little Shame

John Franklin, Little Shame, 1987

Paradigm

Walter Robinson, Paradigm, 1987

The Gaping Mouth of Hell

Walter Robinson, The Gaping Mouth of Hell, 1986


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