"In an impressive first show, this artist revisits several pictorial conventions of colonial America — the portrait, the mourning picture and the landscape — with antic results. Her weapon of choice is black ballpoint pen backed by pencil, deployed in a fidgety yet gossamer cross-hatch style whose precedents include Edward Gorey and the early work of Jim Nutt and Sue Williams."
---Roberta Smith, The New York Times, Friday, July 20, 2007
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James Wagner, jameswagner.com, June 7, 2007
The New York Times, Roberta Smith, July 13, 2007
