"Nowadays, information about the art business is circulated and consumed like baseball statistics. Rather than becoming hamstrung by the onslaught, Dalton turns these tidbits into art. A wall of miniature action figures laden with shopping bags details the tastes (“old masters,” “contemporary,” “tribal art”) of prominent collectors. A slide show of graphs and charts asks, “How Do Artists Live?” (Answer: twenty-five per cent get money from their parents; eight-hundredths of a per cent report income from illegal sources.) A case filled with gray rubber bracelets offers viewers a chance to identify themselves as “losers” or “pigs,” reiterating how, in the art-plus-business equation, no one comes out clean."
---The New Yorker, October 02, 2006
Is It Just Me? (Works by Jennifer Dalton)
Compound Editions Presents...Our Condolences, Volume 1 by Jennifer Dalton and William Powhida
Carolina A. Miranda, "Biting the Hand That Feeds Them," ArtNews, November 29, 2011
Magdalena Kröner, "Pulsschlag in New York," Frankfurter Allgemeine Zeitung, October 2, 2011
Abbe Schriber, "Jennifer Dalton, Cool Guys Like You," The Brooklyn Rail, October 2011
Joanne Mattera, ""Authority" Still Wears a Suit and Tie," Joanne Mattera Art Blog, Sept 30, 2011
Carolina Miranda, "Where the ladies at?" C-Monster, Sept 9, 2011
Barbara Pollack, "The Social Revolution," ARTNews, June 2011
Priya Bhatnagar, "I Like the Art World and the Art World Likes Me," Frieze Magazine, May 2011
Holland Cotter, "#class," New York Times, March 19, 2010
John Haber, "Cutting Class," haberarts.com, March 11, 2010
SHOW REVIEWED: #class at Winkleman Gallery, NYC, One Review a Month, February 28, 2010
Eva Diaz, Critics' Picks, artforum.com, February 28, 2010
Jennifer Dalton, "The New Yorker," May 11, 2009
Jane Harris, "Jennifer Dalton, The Reappraisal," TimeOut New York, April 30 - May 6, 2009
Jerry Saltz, New York Magazine Critic's Pick, Jennifer Dalton, "The Reappraisal" April 25, 2009
Edward Sozanski, The Philadephia Enquirer, March 9, 2008
